
Zarley has long been anything but the archetypal

The piano-driven, string-laden midtempo "Perfect" hearkens the best of 90s’ boy band anthems—you'd swear Backstreet Boys were back—while peppy, harmony-drenched "I'll Always

Another highlight, "Trust Me," amps the tempo, cleverly conjuring Toni Braxton’s "You’re Makin’ Me High," with its "baby, baby, baby" pre-chorus and tantalizing tease, "How do

Back to the ballads: "Forgive Me (For Not Forgiving You)" addresses the predominant lyrical mandate of the album: You broke my fucking heart and I’m working my way back to health. The lyric offers an honest and wholly universal take on the fact that it’s just not that easy to put the past to bed: "I loved you but there’s not much I can do, you know how much it hurt to let you go/Why couldn’t you say what you mean, why didn’t you mean what you say, I cannot continue feeling this way…"
And then, as healing begins, Zarley reflects in the beautiful and mournful "Apology," "I’m sorry for the way we said goodbye, even though we’re over, I hope this closure will finally let me let you go."



While it may be unrealistic to think corporate top 40 radio will indulge the hitworthy Change Begins With Me, does that really matter anymore? The album has already fostered a mountain of press from the likes of The Advocate, Radar, Playbill, The Washington Blade, The Dallas Voice and every gay-friendly blog known to man. For anyone that hears Matt Zarley, he’s an immediate favorite, straight or gay. This is indeed music for the masses. And that is the greatest change anyone could hope for.
Change Begins With Me is available on iTunes. Click here.
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